Maybe it's best to
get the incest out of the way before we get on to the racism. On
balance, I don't know which is worse: racism or incest. Incest is
more immediately repulsive, but racism and its institutions have
ruined lives for centuries. Everyone who has suffered appallingly
has suffered appallingly, and the rest of us just stumble blindly
around in the bushes wondering why we've never even heard of this
Mary Shelley novel. Mathilda's
father leaves her mother's birthing- and death-bed without laying
eyes on her and she's raised by a maiden aunt until her father comes
back when she's seventeen and they become bosom companions and best
friendsies and go to London and then he inexplicably won't speak to
her for several months. She confronts him by the lake next to the
Yorkshire manor house with ivy growing up the walls and asks if she
is the cause of his silent anger. He says, "No, but yes;"
Mathilda runs up to her room weeping, and I ran to the internet to
see if Mathilda had accidentally killed a servant while sleepwalking
and her father helped cover it up or something, but no, her father is
in love with her. Eeeeeeeew. And having revealed his love, he runs
to the sea, which, somehow, kills him. Mathilda is now alone in the
world and prays that her death will come without resorting to suicide
so she can... be with her father. After spending a night outdoors,
she falls ill of consumption, thus ending her miserable life and this
short novel which defines Romanticism with a capitol "R."
Read
this: If you're hiding out in a neighboring kingdom working incognito
as a scullery maid and wearing a donkey skin. If you loved
Frankenstein and want
to be confused and disappointed.
In
further proof that one shouldn't choose novels randomly off of
Librivox because they're female-authored and short, I have now spent
six hours of my life reading Idomen, or the Vale of Yumuri
and can never get those hours
back, although, in fairness, I was doing other things while I was
listen-reading, mainly washing dishes. Idomen is
the semi-autobiographical novel of poetess and big fucking racist
Maria Gowen Brooks; it's not completely biographical because Idomen
drowns herself in the end, but before it ends, one must suffer the
beginning, then the middle. Ah, the blissful, blissful end...
Idomen begins
with a long essay about why, unrelatedly, suicide is bad and slavery
is good. Suicide bad; slavery good. Probably everyone else who has
attempted this novel had the sense to give up right there, but I
wanted to see where in the pre-Civil War Americas she was going with
this. Nowhere, it turns out. Idomen is
structured from the point of view of a traveller in Cuba who stops at
the estate of an old man who tells him the story of Idomen. The
traveller admires the flowering trees and the comely slaves bringing
him drinks and leans back to listen to the tale.. Basically, Idomen,
despite her funny name, is of European descent and lives on the East
Coast with her husband. The Cuban slave owner comes to visit and is
captivated by Idomen. Flash forward several years, and widow Idomen
arrives in Cuba because her uncle owns land (and humans) there.
After a further nothing, Idomen departs for Canada where she writes
long poetry (quite good, for what it's worth) and goes on and on
about the, I'm going to garble the spelling because I can't find a
text copy of Idomen on
the whole, cursorily searched, internet, River Lahaduana, which flows
to the St. Lawrence and then the sea. She becomes reacquainted with
a man, Ethelwald, a cross between Heath Ledger and a statue, who
admires Idomen and her long poetry. What's the problem? Well, he
visits daily her until the river freezes over, and then, because
crossing frozen rivers is treacherous as hell, he ceases visiting
her, plunging her into a jarringly realistic depression which, as the
denouement of a better novel, could have hammered my heart into a
million crying pieces but doesn't make Idomen any
better. Like Mathilda, Idomen manages to sort of not kill herself
while dying romantically and leaves her Cuban friend in despair.
Nobody is happy, except the slaves. Because they have simple lives
and are taken care of by fatherly white people.
Read
this book: If you want to advocate for the reinstatement of slavery
in the sugar-producing world using the most half-assed arguments
imaginable. If you hate drama, and want to read a dramatic novel
where nothing happens.
Finally
now we have a book that is worth reading but, sticking with our
theme, exceedingly problematic. Dan gave me early Carl Barks Lost
in the Andes for Christmas
several weeks ago! Fantagraphics is publishing classic Disney comics
and this is early Donald Duck when Scrooge McDuck was a twinkle of a
plot device in Barks' eye. The titular Lost in the Andes
is the original story of Donald
and the kids' adventure to Plain Awful! I always thought Professor
Rhutt Betlah was lost in the mists of time and the high Andes, but
this is the thing! It's early Barks yet, but Ducks eat square eggs
and are imprisoned for round objects, as in future Plain Awful. Good
stuff. All comics are reflected on in essays by important Barks
scholars. And we have the fourth and fifth appearances of Uncle
Scrooge! In Rosa's The Life and Times of Uncle Scrooge, he
discusses at length the contradictions between later canon Uncle
Scrooge, who made his fortune by being "tougher than the
toughies and smarter than the smarties, and he made it all square,"
and this early Scrooge, in Voodoo Hoodoo: A
zombie appears in Duckburg, and the academic explains, for those of
us who weren't aware, that zombies are a traditionally African
bogeyman whose associations with the African diaspora would have been
obvious to comics readers in the '40s. The zombie is after Uncle
Scrooge, and the boys visit him at his to mansion to find out why.
Uncle Scrooge, good old Unca Scrooge, explains, "My eye fell on
some wonderful land that I wanted for a rubber plantation! The
owners were a tribe of ferocious savages that believed their voodoo
gods prized the ground! They wouldn't sell, so I hired a mob of
thugs and chased them into the jungle! I got the land, but boy,
those savages were mad!" Rosa resolved this appalling piece of
Scrooge's early history by invoking Bombie the zombie to haunt
Scrooge through his post-Klondike adventures, although here the
zombie hasn't seen Scrooge for seventy years and is after a young
Scrooge, i.e. Donald. Barks present the voodoo practitioners
sympathetically, just like he gives agency to the Awfultonians and
twists our assumptions of the native islanders in Race to
the South Seas!, but different
times and all that. Or, holy shit, that's racist. Lost in
the Andes is arranged with epic
adventures first, then ten page gags, one page gags, and commentary,
which is a queer descent but there are some greats, especially among
the ten-pagers like Donald's nightmares and Santa's workshop, and
some that are strictly of their time, like the truant officer and the
quiz show.
Read
this book: Barks fans, obviously. And everybody. Everybody should
read Carl Barks. (Everybody might also read How to Read
Donald Duck: Imperialist Ideology in the Disney Comics by
Dorfman and Mattelart.)
We've
been discussing racism a lot here, and as well as commenting on it as
a sociological and historical phenomenon, it's important to remember
that the real victims of racism are the white people who were just
trying to help. Especially when Black people are unable to
contextualize or react to their situation. There's no better way to
infantalize a character than by making it an infant, and Lurlene
McDaniel does a genius job of it in Baby Alicia is Dying.
My friend Laura has a penchant for terrible books: sibling gangbang
erotic mysteries, Satanist backmasking literature, Zondervan's teen
"choice" series, several shades of grey, but her favorite
bad author is Lurlene McDaniel, the woman who built a career on
diseased teen drama romance. I read at least one of these in junior
high and Laura read oodles of them, but lately she's been rereading.
She says Baby Alicia is Dying is
the worst, so when I pulled it out of the recycling bin and saw that
'90s white teenager holding the chubby little Black baby, I knew I
sort of wanted to read it in the way that one sort of wants to look
at a car accident, so I put it on my hold shelf for a year and
finally read it while getting over a brief bout of illiteracy a few
weeks ago. In summary, Desi is a freshman in high school who
volunteers at the home for HIV-positive babies and Baby Alicia is her
favorite. There's a floppy-haired boy in her biology class for love
interest, her mother opposes her volunteering with AIDS babies,
people at school shun her, and someone even writes hateful things on
her locker. Desi rages at the thought of Alicia's mom, a young
addict, and tries to talk the volunteer coordinator out of letting
her have a pre-custodial visit with Alicia, but it happens anyway.
Meanwhile, Alicia is a cooing puddle of dark skinned adorable
(Lurlene cannot say "Black"). Desi spends all her
Christmas money on a Christmas dress for baby Alicia and her Desi's
mom gets angry at her. I was angry too. If Desi had blown all her
money on something that would be appreciated by a baby, say teddy
bear or some stacking toys, yes, that's a good use of money, but one
fancy dress? Babies don't care, and they grow. Lucky for Desi,
Alicia still fits the dress when the book's title fulfills itself and
Desi resolves her grief with a lot of melodrama and clunky dialogue.
Desi also plants a rosebush for Alicia at the children's home,
because what better to plant in a garden frequented by toddlers?
Baby Alicia is Dying is
a cluster of white patronizing on top of Lurlene McDaniel's usual
sensationalist schlock about sick kids and their romantic lives, the
drama is forced, the conflicts are clumsy, the characters are bland,
and the worst thing about Baby Alicia is Dying is
that it's not so bad. Desi is a stupid teen with the best of
intentions who makes sacrifices for a child. The reveal at the end
is that Desi's mom didn't want her volunteering with HIV-positive
babies because she lost Desi's brother to SIDS, so not only is there
a resolution but Lurlene gives us two-for-one disease tutorials. The
shaggy haired boy in Desi's biology class lost a beloved uncle to
AIDS. And after Alicia's memorial service, Alicia's mother appears.
I needed that to happen so I didn't throw the book across the room.
She tells Desi that she's been sober since Alicia was born and trying
to go back to school, and get an apartment, and custody, and she's
young, and she's HIV-positive too. And Desi finally starts to
realize that Alicia was not born of a monster to be Desi's
soulmate/dress-up toy, Alicia was a baby with a family who was a
victim of poverty and a terrible disease.
Read
this book: If you're the one who has to go back in time and explain
to Ronald Reagan that anyone can get AIDS.
Guess
what's next! Lulu and the Hedgehog in the Rain!!! Guess
what it's not?! Racist!!! As we've discussed previously, Lulu is an
Afro-British third grader who loves animals and she's going to grow
up to be a proud Black woman and a veterinarian and a tea-drinking
Brit and not experience these things as a contradiction but for now
she's just a responsible child. I was expecting one of Lulu's
classmates to fob off an African pygmy hedgehog on her because that's
what's been happening in the Lulu books
lately and I had completely forgotten that England has its own
indigenous hedgehog population with Cockney accents. ("'E was a
gen'leman, sir, and 'e fed us off'er china plates.") Lulu is
out stomping in rain puddles when she intercepts a hedgepig who's
about to be swept down a storm drain. Millie is surprised that Lulu
doesn't set up a cage with toys and treats for the hedgie like Lulu
has for the rabbits, but Lulu explains quite forcefully that this a
wild hedgehog who can come and go as he pleases and make his own
choices and forage for his own food, and she has a library book to
back it up. That said, Lulu needs to petition Charlie to keep his
gate shut, the grumpy man down the street not to burn his yard waste,
Henry to keep his cat inside, and the old lady to not feed the
hedgehog bread and milk. Safety in all hedgehog things! But winter
is coming and hedgehogs hibernate! I demand you read this book,
which isn't hard because it's ninety pages long with ample cute
pictures.
Read
this book: If you are human. If you're not a racist. If you worry
that you have internalized racism that you're trying to excise. If
you like short books. If you want to know more about the hedgehogs
of England. If you are an African pygmy hedgehog who wants to know
more about your British cousins. If you are a hedgehog.
Awesome book reviews! I leafed through a couple, maybe I'll even read some ^_^
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