The
story comes back after Lady's Isabelle's bastard is born, but he
doesn't come into the story much. Lady Isabelle is sitting miserably
in rented rooms in France, her pale, sickly newborn in the cradle
beside her, when Levison comes in. He abandoned her months before,
but he's come to offer her money. She, retaining pride, refuses and
swears that she knew not forty-five minutes of happiness with Levison
before she wished she were back with Mr. Carlisle and her poor
children. and she has rued leaving every moment since. Levison
leaves, appreciating how easy getting it was to get rid of her, and
Lady Isabelle thinks that she will look into that
working-for-a-living-and-becoming-a-governess-thing finally. But on
the way from one place in France to another, there is a train
accident and her baby is killed. The newspapers says that she is
killed, too, and when Mr. Carlisle reads that, he finally asks
Barbara for her hand in marriage. You see. Years pass. Mr.
Carlisle and Barbara make a baby. Lady Isabelle finds a position
governessing under an assumed name. She is changed, no longer the
beautiful, innocent flower who once was the light of her father's
eye. Grey-haired, stooped, limping from the railway accident, with a
scar on her lower face, old-fashioned colored glasses, always with a
shawl and veil, she looks queer but not unemployable. In fact, when
a lady from West Lynne comes to France on holidays and happens to
tell Lady Isabelle's employer that the Carlisle family of East Lynne
is looking for a governess, Lady Isabelle applies. And suddenly she
is back at East Lynne. In shame. In disguise. With her husband
married to the woman that he promised her he wouldn't marry. Rather
than say, "I didn't really love you from the beginning, but I
had to marry you because my relatives are abusive and I had no
options. You were having an affair with Barbara Hare! Remember when
I told you not to invite my second cousin to East Lynne?" Lady
Isabelle takes every moment as a penance and beats herself up with
it. One of her children dies, and she beats herself up with that
too. She becomes weak and consumptive. She prays for forgiveness.
She coughs blood. You can probably guess who reveals what and who
forgives whom on whose death bed.
I
won't spoil the murder bit for you, although I can say that a rake is
a rake is a rake and it's really obvious who was courting Athie
Hallijohn under the name of Thorne from about the middle of the book.
Only one scoundrel per novel.
Mrs.
Henry Wood did not write East Lynne
to promote the emancipation of women, but she may as well have. Lady
Isabelle's inability to control her own destiny by any means except
marrying the first nice-ish person who came along is her real
tragedy. Carlisle isn't a bad man. Mrs. Wood writes him as a kind
gentleman, and he is, but he treats both his wives like they're the
cutest kid in the whole kindergarten. As for Miss Carlisle, her role is superfluous and comic, but she was my favorite. All those brains and
all that energy, and nothing to do with it. The poor woman. This
book was written slightly after women gained the right to keep
property brought to a marriage after its disolution by death in
England, and that's mentioned briefly. One small step for women, but
nothing like the rights that these women needed to avoid their tragic
fates.
One
last note on East Lynne:
It's full of interesting details about early Victorian England. Lady
Isabelle's disguise includes colored glasses. One day, when she is
walking with Miss Carlisle and Isabelle Junior, Lady Isabelle in
disguise breaks her glasses and they go into the spectacle shoppe to
buy new ones. Miss Carlisle, who is too smart not to suspect Lady
Isabelle, suggests she gets white glasses, which are the fashion, and
Lady Isabelle says she is used to colored ones. White glasses? Now
you know: white glasses. Also, when Miss Carlisle is meddling in her
brother's business, she always says, "What's up?" 1862
usage of "What's up?" It's not just what teenagers say to
each other. It's older than the abolition of slavery in America.
Speaking of...
I
saw Delia Sherman's The Freedom Maze
on a list of good books with bad covers, and it is, although the
cover's okayish. The words inside it are bloody brilliant. I did say,
however, that this pair of blogs is about terrible places to live,
and the Fairchild Plantation is the worst. No one in East Lynne or
Old Trail Town owns slaves.
The
Freedom Maze
has this interesting historical novel within a historical novel thing
going on. Sophie Fairchild-Maxwell is being left with her aunt and
grandmama for the summer while her mother, groundbreakingly divorced,
it being 1960, goes back to school to become a CPA. Sophie has free
run to explore the plantation, poke around in the crumbling slave
quarters, swim in the bayou, and walk through the hedge maze, where a
trickster spirit pops in and fools with her. Sophie, having grown up
in the city away from legends, thinks this is jolly good fun and ends
up telling the spirit that she wants lots of friends and an
adventure. Bad choice. She foomps up in the big house in 1860, she knows it, with all the pretty dresses in the closet, the pitcher and
basin on the table, the silver brush and comb. While she's
inspecting those valuable items, her sixteen-year-old
great-great-great aunt comes into the room and starts screaming. In
front of her great-great-great-great grandpa, Sophie tries to explain
what's happened and who she is, but it's already obvious to everyone
in her family what's going on: a curly-haired, tan young girl who
looks exactly like them in the face and is in possession of a
distinctive Fairchild nose has to be the octaroon daughter of Uncle
Robert in New Orleans and some slave woman. Sophie is put to
training as a house slave or lady's maid.
All
the slaves on Fairchild plantation are named after countries or
continents. Sophie rooms with a woman called Africa, one of the
strongest people in a place full of strong women, and her daughter
Antigua, who's an older teenager, a younger daughter who befriends
Sophie first (as per Sophie's wish), and a son who might be sweet on
Sophie. Sophie is grateful for the kindness, after the pain of not
going home right away wears off into a dull blur of work and vague
memories. Delia Smith moves Sophie around the plantation and the
life of slaves in touching in the humanity they can bring to such a barbaric system. When she's blamed for trying to steal the
silver hairbrush, she gets put out to the sugarcane processing
facility, which is nearly unbearable. Eventually, Sophie's sojourn
in 1860 ends trying to help Antigua escape and she's left to face her
life in 1960 and dig through the detritus of her slave-owning
ancestors to try to find what happened to Antigua, Africa and
everybody else. The Freedom Maze is
fantastic. Fairchild Plantation is horrible place full of slave-owners.
Next
up: a miscellany.
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